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Pussycat Dolls Scale Back North American Reunion Tour as Demand Falls Short
The Pussycat Dolls have canceled nearly all North American dates on their reunion run, keeping only a WeHo Pride performance as ticket demand reportedly lagged. The group’s UK and Europe shows remain on schedule.
The Pussycat Dolls have effectively pulled the plug on their North American comeback run, canceling all but one date on the planned PCD Forever Tour. The trio lineup of Nicole Scherzinger, Ashley Roberts, and Kimberly Wyatt confirmed the decision in an Instagram statement on May 4, framing it as a difficult call after reassessing the market for the U.S. and Canada leg.
When the group announced its return in March, the plan was ambitious: 53 dates total, with the first 33 set across North America before moving to the UK and Ireland in September. Lil’ Kim and Mya were billed for the North American shows, positioning the run as both a nostalgia play and a broader 2000s pop-R&B package.
Now, only one U.S. stop remains: Outloud Festival during WeHo Pride near Los Angeles on June 6. In their statement, the group said the LGBTQ+ community has been central to their career and called the festival “a meaningful place” to celebrate with fans.
The group did not cite ticketing as the official reason, but the context has been public for weeks. Sky News previously reported sluggish sales, including an opening-night show in Palm Springs that had reportedly sold about 4,000 tickets in an 11,000-cap venue after weeks on sale. In practical terms, that kind of gap can make a full-scale arena and amphitheater routing financially difficult, especially for a reunion tour carrying legacy expectations and large production costs.
UK and European dates are still scheduled, and the group said several of those shows are already sold out. For canceled North American dates, Ticketmaster purchases will be refunded automatically, while resale buyers will need to work through third-party sellers.
The rollout has also been complicated by internal narrative issues. Former original member Carmit Bachar said she learned about the reunion at the same time as the public and was not included. Jessica Sutta later said she was “blindsided” as well, suggesting her political alignment may have played a role in her exclusion. Those comments turned what might have been a clean anniversary campaign into a more fractured public story about who gets to represent the group’s legacy.
Even with the touring setback, the Dolls are pressing forward on release activity. They recently shared Club Song, their first new material since 2019’s React, produced by Mike Sabbath and co-written by Scherzinger alongside Sabbath, Caroline Ailin, and Solly. A deluxe edition of their 2005 debut PCD, with unreleased material, is also set for May 8 on vinyl and digital.
For a group this tied to a specific pop era, the moment says less about a single cancellation and more about how reunion economics have changed. Legacy recognition still travels online, but translating that into arena-level demand is a different equation, and not every brand-name act clears it in every market.
